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Wicked the Musical

‘Are people born wicked or do they have wickedness thrust upon them…?’  

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Fellow Ozians, a couple of weeks ago I was kindly invited along to watch the West End and Broadway hit musical, Wicked.

Home for four weeks at Bristol’s Hippodrome, I made my way to the theatre last Thursday evening with eager anticipation. I’ve wanted to see it for so long so you can imagine my excitement as I made my way up the emerald green carpet. A musical I had heard so many great things about yet hadn’t found the opportunity to see it for myself, my expectations going in were high. In fact, I felt I already knew the show so well just from listening to the soundtrack on repeat!

My friend and I soon found ourselves in the Piano Bar with a cheeky drink, and with half an hour until the show was due to start we had a read through the programme to familiarise ourselves with the actors.

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In case you are unfamiliar with this popular musical (firstly, how? Secondly, go watch it now!) it tells the untold story of the Witches of Oz. Based on Gregory Maguire’s novel ‘Wicked: The Life and Times of the Wicked Witch of the West’ that is inspired by ‘The Wizard of Oz’, we learn about Glinda The Good’s unlikely friendship she strikes up with Elphaba, the Wicked Witch of the West. Two very different characters who meet at a sorcery school, we follow them on their adventure to meet the Wonderful Wizard of Oz.  This is only the start of some surprising events, as the story takes place before, alongside and after the famous tale – warning: you may watch the original in a different way after this.

As the lights dimmed and the map of Oz lit up in green, eerie music played as monkeys crept onto the stage which set a dark scene. We were soon introduced to the Citizens of Oz as they awaited Glinda The Good’s arrival, and I awaited their powerful performance of ‘No One Mourns the Wicked’.

A fire breathing dragon, flying monkeys – for one night only, we were in the Land of Oz.

Wicked UK & Ireland Tour_Credit Matt Crockett_5046_Kickline

Oh my Gah-linda!

The brilliant cast were led by the beautiful, bubbly blonde Glinda The Good (think a British Elle Woods), who adds glamour and humour to the role. Played by the brilliant Emily Tierney, she really entertains the audience and holds her own on stage, a character famously played by Kristin Chenoweth in its original Broadway production over 10 years ago. I hadn’t seen any clips on YouTube nor had I read up on the background of the musical so I didn’t know what to expect, but I didn’t expect her to be so ‘high spirited’ shall I say. As an audience member in her mid twenties, I found her ever so slightly over-bearing at times but the younger generation around me seemed to love her. As they chuckled away at all her jokes (particularly throughout her rendition of ‘Popular’), I sat through it cringing. This is no reflection on Emily as an actress nor as Glinda, but after listening to Chenoweth’s version so many times I’ve got used to the American accent and the exaggerated Britishness just didn’t do it for me. As the show went on however, and her friendship with Elphie grew, I came to love her more (even with the British accent).

For me the real star of the show has to be Ashleigh Gray. Playing the part of Elphaba the Wicked Witch of the West, Gray was pitch perfect! Her vocal range could rival Idina Menzel’s (which is no mean feat), especially during ‘Defying Gravity’ and ‘No Good Deed’, and she puts on an incredibly powerful and emotional performance that you find yourself getting lost in. Her character really progresses throughout, more so than the rest of the cast, and the love triangle between herself, Glinda and Fiyero is captivating to watch. She’s a strong leading lady and as the protagonist of this story, she changes our view on one of the most well-known ‘villains’ of all time. She also rocks a black cape, perhaps Madonna should take note…

Wicked UK Tour_Ashleigh Gray (Elphaba)_Photo Matt Crockett_0880_sm_RT

Samuel Edwards plays a rather dashing Fiyero, a prince who has both Witches falling at his feet. I mean, who can blame them? Have you seen the rest of the men in Oz? And I thought it was slim pickings where I live… It’s a tough job to lead a cast alongside two women like Ashleigh and Emily who take the main focus on stage, but Sam pulls his own weight throughout. Carina Gillespie puts on a stunning performance as Elphaba’s ‘normal’ wheelchair-bound sister Nessarose, as she falls in love with Boq (Richard Vincent) – a Munchkin who is secretly vying for the attention of Glinda.

The two ‘villains’ are played by Marylin Cutts as an excellently evil Madame Morrible, alongside Brookside’s ‘Max Farnham’ aka Steven Pinder – who plays the contrasting roles of Dr Dillamond and The Wonderful Wizard of Oz. The entire ensemble are commendable for their stage presence, their passion for what they do shines through and it makes the experience so much more enjoyable when you know the talent are having just as much fun doing their job.

I’m unable to compare to the West End performance, but from the standards set so high from this UK tour production I can only imagine the show to be even bigger and better in London! With lower prices and coming closer to smaller towns across the country, why not take a trip to the theatre with your family and/or friends for a fun evening out?

Wicked UK Tour_Emily Tierney and Ashleigh Gray_Photo Matt Crockett_0766_RT

The show is currently in Bristol until Saturday 21st March, so make sure you book to secure your tickets to this spectacular production. Still not convinced? Then take a look at the musical trailer below, don’t miss out on this critically acclaimed show.

[youtube=http://youtu.be/neFPIL5kvDA]

www.WickedTheMusical.co.uk

All that was missing for me were the munchkins singing ‘Ding dong the Witch is dead…’

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Top Hat at the New Theatre, Oxford

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Last weekend the family and I took a day trip to Oxford, where we had matinee tickets to see Top Hat at the New Theatre.

We chose the afternoon performance so we could have a leisurely lunch and browse around town (they have a MAC counter, enough said?) I’ve seen a few shows in Oxford now and they are always so professional, a real joy to watch and will rival any West End performance.

As a big theatre lover I couldn’t wait to sit in my seat and wait for the show to start. I hadn’t seen the famous film, which stars screen icons Fred Astaire and Ginger Rogers, so I didn’t know what to expect. I had seen a few clips on YouTube and I knew it featured one of my all time favourite tunes ‘Puttin’ on the Ritz‘ (it’s actually become my kitchen dance at home, what a sight it is to behold….)

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We joined the many other theatre-goers who were queuing and picked up a programme and confectionery en route, before making our way to our seats. Boasting an 1800 capacity and beautiful art deco features, this theatre dates back almost 180 years to it’s original opening and is still home to incredible talent.

Whilst we sat in our seats waiting for the show to begin I enjoyed reading the performance history of the actors, it’s always interesting to find out what their background is and occasionally you recognise them from previous work they have done. Does anyone else enjoy this? It’s a ritual now whenever I see a show.

A little bit about the show…

Jerry Travers is an American dancer who travels to London to star in a West End show, produced by the idiotic Horace Hardwick. Whilst practicing his tap dancing routine he ends up awakening the beautiful Miss Dale Tremont. After a good telling off, he immediately falls in love with her and begins to follow her all around town to win her affection. She somehow mistakes Jerry for Horace, the husband of her friend Madge and escapes to Italy with the flamboyant Italian fashion designer Alberto Beddini. After a proposal and a wedding, both from two different men, Dale soon realises she has made a mistake and reconciles with her love, Jerry Travers.

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As the live orchestra started to play the overture and the golden curtains parted, I was already tapping my feet and the excitement was building rapidly. The brilliant cast were led by Alan Burkitt (Jerry Travers) and Charlotte Gooch (Dale Tremont), who I would praise as the perfect pair to play these iconic characters. With big shoes to fill I wasn’t sure anyone could live up to the talents of Astaire and Rogers but these two have surely raised the bar.

Puttin’ On The Ritz set an energetic pace for the rest of the production, oozing such class and sophistication that took you all the way back to 1935 when the original film took place. I started to fall in love with the era, the music and Jerry Travers – I suddenly wanted to take up dance again!

As the show went on and more songs were sung and danced to, the more I realised I had heard several of the songs before without the Top Hat association. Cheek To Cheek and Let’s Face The Music are all classics most of you will have heard before, whether in an advert or on Strictly Come Dancing, they are some of theatre’s greatest musical numbers to date. I don’t think there was one person in the audience who didn’t want to get up on that stage and join in.

Horace and his wife Madge, played by the wonderful Clive Hayward and Rebecca Thornhill, make up the comedy sub-plot with Gooch and Burkitt. Horace’s butler Bates (John Conroy) is a gem to watch, cue a sequence of funny disguises and accents as he keeps a close eye on Dale Tremont, while latino Sebastien Torkia (Alberto Beddini) steals the show at one point in his pants. Yes, it is just as brilliant and absurd as it sounds – what’s not to love? Burkitt makes tap dancing look so effortless and does it with cheeky charm, especially when he sweeps Gooch off her feet in that iconic feather gown.

Top Hat is a beautifully written love story with a humorous case of mistaken identity, brought to life through an astounding cast of talented individuals. Aside from the leading ladies and gents, the ensemble were just as entertaining and stunning to watch. They all seemed to be loving every moment they were on that stage, a ‘dream job’ for any musical theatre actor I can imagine. It is with thanks to Burkitt and the rest of this cast that Top Hat is now cemented as one of my all-time favourite musicals, sitting comfortably alongside Chicago.

Choreographed by Bill Deamer and directed by Matthew White, the team behind the production have created something spectacular and no doubt will leave audiences all around the UK falling in love with the show.  The lavish sets, glam costumes and timeless music really make it a magical and memorable performance, I’ve had the soundtrack stuck in my head ever since and there doesn’t seem to be a sign of that stopping.

Top Hat, Top Show. 

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See here for the Top Hat tour dates, and let me know if you see it!

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